COMPOSITIONS
to hear examples of my work please visit myspace.com/judithring Marb (1998): chance piece for piano and tape Hydromo (1999) : for 2 improvised flutes and tape (Flute: Michael Flemming) Scratchy (1999) : tape piece derived from the scratching of guitar strings Dreamare (1999): tape piece based on Dream structure Accumulation (2000) : tape piece and 1st prize winner of the 2000 International Luigi Russolo composition competition, Italy Membrane (2000): tape piece based on chime samples and used in the soundtrack to "Time and Again" by Barry Dowling Interlude (2000) : freak accident with a violin sample Nocan (2001): Commission from the Crash Ensemble. tape piece based on one of Bach's Canon's Illusion (2001) : tape piece written as an entry to the Bourges prize competition Congestion (2001): written for the Whispering Gallery's day long noise festival Stagger (for solo piano, 2001): Commission by the National Concert Hall, Dublin for pianist Rolf Hind Interference (for mezzo-soprano and 4-channel tape, 2002): written for singer Natasha Lohan and realised at the Akadamie der Künste studio in Berlin Fusion (for Double Bass and tape, 2003): written for the composers choice concert in the National Concert Hall April 2003 and performed by Malachy Robinson phorM (for Tenor Saxophone and tape, 2003): for Em. Commission from Canadian group Bradyworks with funding from an Arts Council, Ireland award. Performed by André Leroux Succulence EP (Electronics 2004): EP of electronic music based on a street sweeper. Simulation (2005): Tape piece exploring spatialisation and more basic concrete techniques. Mouthpiece (in progress, for voice and 4-channel electronics): written for and in collaboration with singer Natasha Lohan with funding from the Arts Council of Ireland. Panoval (for Piano, Violin and Electronics, 2006) written for Pianist Panos Demopoulos and Violinist Valerie Pearson. Pre_per_form (Tape 2006) written for Percussionist Beau Stocker who kindly let me sample some crazy percussion. Per_form (for Vibraphone and Electronics, 2006) written for Percussionist Damien Harron. Whispering the Turmoil Down (for Bass Clarinet and Electronics, 2007) written for Clarinetist Paul Roe. 4-play (for percussion quartet, 2007) written for Percussemble Berlin Up to my f-holes (for Cello and Electronics 2008) written for Cellist Laura Moody Invisible Shadows (for Chamber Ensemble, in progress, 2008) commissioned by the Chamber Orchestra for the Spring Festival at the University of York.
PRIZE: 1ST prize for Accumulation in the 22nd international Luigi Russolo composition competition, Varese, Italy.
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